Elodie Bouchez and Natacha Regnier both won “Best Actress” honors at the 1998 Cannes Film Festival in this naturalistic drama about two women alienated from mainstream society. After a trio of short films, this is the feature directorial debut of 41-year-old French filmmaker Erick Zonca. With opening scenes reminiscent of Agnes Varda’s Vagabond (1985), optimistic hobo Isa (Bouchez), with her life in her backpack, has a gritty existence on the road, going from one town to another through northern France, working factory jobs and selling cards.

After she loses a garment-factory job, her withdrawn, near-catatonic co-worker Marie (Regnier) lets Isa share space in her Lille living quarters — an apartment actually belonging to a hospitalized mother and daughter. Marie begins an affair with burly bouncer Charly (Patrick Mercado) before achieving an emotional breakthrough with sleazy, animalistic club-owner Chriss (Gregoire Colin). Meanwhile, Isa becomes fascinated with the girl who lived in the apartment but now lies in a coma at the hospital. The film combines handheld camerawork with a minimalist music score (Yann Thiersen) and documentary-like street sounds.
AKA The Dreamlife of Angels